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BSG
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
Schubert: Sonata #20 in A, Andantino (D959 #2)
BSG
20:00 Est. Play
Time
200 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
RH		 Treble 52 77 24 9 92%
Bass 54 28 27 9 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
RH		 Treble 52 77 24 9 92%
Bass 54 28 27 9 87%
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%
 
J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)
BSG
4:32 Est. Play
Time
59 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
Contrabass Bass 23 0 8 6 100%
Vcl/Cb. Bass 23 0 8 6 100%
Tenor Treble 17 0 7 6 97%
Viola 17 0 7 6 97%
Alto Treble 17 0 7 5 86%
Violin
2		 Treble 17 0 7 5 86%
Ob.
d'Am		 Treble 23 0 9 5 85%
Flute Treble 16 0 6 4 76%
Soprano Treble 16 0 6 4 76%
Violin
1		 Treble 16 0 6 4 76%
Bass Bass 20 0 7 5 75%
Fagotto Bass 20 0 7 5 75%
 
J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)
BSG
3:33 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 25 0 8 2 100%
Contrabass Bass 25 0 8 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 25 0 8 2 100%
Contrabass Bass 25 0 8 2 100%
Realization Treble 23 57 9 8 99%
Alto Treble 18 0 7 7 83%
Tenor Treble 18 0 6 6 83%
 
J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)
BSG
3:56 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto.
Real.		 Treble 21 62 9 5 99%
Continuo Bass 24 0 7 5 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto.
Real.		 Treble 21 62 9 5 99%
Continuo Bass 24 0 7 5 98%
Bass Bass 20 0 7 5 91%
Tenor Treble 17 0 6 6 90%
Soprano Treble 17 0 6 5 88%
Alto Treble 17 0 6 5 82%
 
Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)
BSG
4:15 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
Reallzation Treble 23 32 8 7 100%
Violoncello Bass 20 0 4 4 100%
 
Georg Böhm (1661-1733): Vater unser im Himmelreich
BSG
4:00 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
 
J. S. Bach: Ist Gott versöhnt (BWV 122 #4)
BSG
4:00 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
Realization Treble 22 39 7 6 98%
Tenor Treble 15 0 3 5 77%
Soprano Treble 18 0 6 6 76%
Alto Treble 12 0 3 5 55%
Viola 11 0 3 4 42%
 
J. S. Bach: Du wahrer Gott und Davids Sohn (BWV 23, #1)
BSG
7:39 Est. Play
Time
62 Measures
3,722Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
Cto
Rlz		 Treble 23 125 8 10 95%
Oboe
1		 Treble 24 0 9 11 94%
Oboe
2		 Treble 23 0 8 9 90%
Alto Treble 15 0 6 12 60%
Soprano Treble 15 0 5 14 58%
 
Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)
BSG
8:12 Est. Play
Time
83 Measures
4,627Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
CB Bass 21 0 6 6 100%
Vcl Bass 21 0 6 6 100%
Viola 20 0 7 7 100%
Vn
1		 Treble 23 0 9 8 100%
Vn
2		 Treble 20 0 6 6 100%
Flute Treble 27 0 10 10 99%
Bass Bass 18 0 6 6 49%
Sop Treble 16 0 5 6 49%
Alto Treble 16 0 5 5 48%
Ten Treble 12 0 2 5 42%
Tenor
Trombone		 Treble 12 0 2 6 42%
 
J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)
BSG
9:04 Est. Play
Time
216 Measures
5,056Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Org.
Cto.		 Treble 21 87 7 3 92%
Bass 22 0 6 4 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Org.
Cto.		 Treble 21 87 7 3 92%
Bass 22 0 6 4 100%
Contrabass Bass 22 0 6 4 100%
Vcl Bass 22 0 6 4 100%
Alto Treble 18 0 6 6 91%
Basso Bass 19 0 6 5 86%
Soprano Treble 14 0 4 6 78%
Tenor Treble 14 0 4 5 75%
Trombone Treble 17 1 6 6 53%
Bass 21 8 6 5 57%
Viola 14 0 4 5 46%
Violin
2		 Treble 17 0 6 6 44%
Bassoon Bass 18 0 5 4 41%
Oboe Treble 10 0 3 3 29%
Violin
1		 Treble 9 0 2 1 27%